The Curve: Lapisan Waktu Exclusive for MASARI & MASARISHOP.COM
Where curves, folds, and fluid forms become a language of time, craft, and transformation
Photographs by Thomas Sito
Video by Welly Dosen
Styling by Rama Dicandra
Makeup by Yosefina Yustiani
Hair by Jovita Liana Dewi
Models Clarita, Devita, Mirelle, Mireya, and Reti by BALITAR
Five decades of Masari unfold through The Curve: Lapisan Waktu, bringing sculptural folds, fluid wrapping, and artisanal details drawn from the rich language of Indonesian craft. Pleats and tactile textures give familiar techniques a contemporary rhythm, while each layer speaks to fabric, time, and meticulous making. At its core, the curve reflects Masari’s journey—never quite linear, but always moving, refining, and evolving.
TOTON
What happens when the past meets what’s next? TOTON explores the question through familiar silhouettes and an evolving design language. There’s something nostalgic here, but nothing feels stuck in time—the collection turns traces of memory into a fresh expression of identity, moving effortlessly from where we’ve been to what comes next.
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ARI
Returning to where it all began, ‘Bijana’ traces ARI’s journey beyond familiar ground and back to Indonesian heritage. Traditional references from baju kurung, kebaya encim, baju bodo, beskap, and kain wiron meet intricate embroidery and beadwork, bringing new meaning to the culture that has always been close to home.
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Peggy Hartanto
Think of the curve as a reminder that the best ideas rarely move in a straight line. Peggy Hartanto brings that spirit to sculptural draping, rounded forms, scalloped edges, and asymmetric hemlines, creating silhouettes that move with the body. Tailored separates and checked textures add structure, while limited-edition hues of wine red, soft blush, dusty pink, and vivid fuchsia bring depth and contrast to the collection.
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Friederich Herman
Good design has a habit of sticking around. Friederich Herman digs into its archive, revisiting a design vocabulary built around curves, familiar signatures, and a distinct sense of proportion. Cape sleeves, curved shoulders, sculpted peplums, wrap skirts, pleats, and the wing-shaped collar reappear in unexpected combinations, making familiar ideas feel entirely different the second time around.
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Sean Sheila
There’s more to a uniform than meets the eye. Sean Sheila reworks military-inspired tailoring through the lens of Indonesian heritage, bringing structured silhouettes together with batik-inspired embroidery and banana blossom motifs. Exaggerated proportions and intentionally imperfect details disrupt the polish, while black, white, beige, gray, and earthy tones balance discipline with ornamentation, tradition with disruption.
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